Etching is the process of using strong acid to cut into the unprotected
parts of a metal surface
to create a design in intaglio in the metal (the original process - in
modern manufacturing other chemicals may be used on other types of
material). As an intaglio method of printmaking, it is, along with
engraving, the most important technique for old master prints, and remains
widely used today
Basic method
In pure etching, a metal (usually copper, zinc or steel) plate is covered
with a waxy ground which is resistant to acid. The artist then scratches
off the ground with a pointed etching needle where he/she wants a line to
appear in the finished piece, so exposing the bare metal. |
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California Etching Inc
840 Jackson St, Napa, CA 707 224-9966 |
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Etchings-Glass Metal Marble
45 Mitchell Blvd # F, San Rafael, CA 415 492-8986 |
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The échoppe, a tool with a slanted oval section is also used for
"swelling" lines. The plate is then dipped in a bath of acid,
technically called the mordant (from the French for "bite"), or has
acid washed over it. The acid "bites" into the metal, where it is
exposed, leaving behind lines sunk into the plate. The remaining
ground is then cleaned off the plate. The plate is inked all over, and
then the ink wiped off the surface, leaving only the ink in the etched
lines.
The plate is then put through a high-pressure printing-press together
with a sheet of paper (often moistened to soften it). The paper picks
up the ink from the etched lines, making a print. The process can be
repeated many times; typically several hundred impressions (copies)
could be printed before the plate shows much sign of wear. The work on
the plate can also be added to by repeating the whole process; this
creates an etching which exists in more than one state.
Etching can be, and very often has been, combined with other intaglio
techniques like engraving (eg Rembrandt) or aquatint (eg Goya). |
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